
Fine Art
About Me
Finding Inspiration in Every Turn​

My name is Nuradi Noeri, but in the art world I am known as Adi Noeri. My journey as an artist was not shaped in a formal classroom, but through a long road of life, service, and self-discovery. For many years, I served as an Indonesian diplomat in different countries, surrounded by diverse cultures, landscapes, and perspectives. Yet wherever I was, nature remained my quiet refuge. Painting became my way of listening more deeply — to the world, and to myself.
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I developed my landscape painting skills through structured tutorials purchased from both Michael James Smith and Andrew Tischler. Through their guidance, I learned to go beyond form and color, and to truly understand light, depth, atmosphere, and the emotional silence that lives within a landscape.
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For wildlife painting, particularly tigers, I studied the techniques of painting fur, texture, and fine detail through Carla Grace’s paid courses. In contrast, my understanding of the tiger’s full form, strength, and presence was shaped by observing Daniel Wilson's free online tutorials.
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My approach to portrait painting has been deeply influenced by Andrew Tischler, from whom I learned about structure, skin tones, and emotional expression. Meanwhile, the intricate ornaments and decorative elements found in my Balinese dancer paintings reflect the careful observation and textural techniques I developed through Michael James Smith’s teachings.
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These combined learning experiences, together with my long personal and professional journey, have shaped my own artistic voice — one that seeks to express a peaceful and meaningful connection between humanity, nature, and the quiet presence of the Divine.

My Vision
Painting has been a quiet companion throughout my life — long before it became my main path. As a child, I found myself drawn to images, colors, and the silent language of landscapes. Later, while serving as a diplomat and living in different countries, I realized that painting was not only a passion, but also a way of remembering, understanding, and reconnecting with the world around me.
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Nature, especially the serene landscapes of Switzerland, has left a profound mark on my heart. The mountains, open fields, still lakes, and gentle light became more than just scenery — they became emotional memories. Through my paintings, I return to those moments of stillness, where time seems to pause and the mind finds peace.
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My artistic approach is rooted in realism, yet guided by feeling. I do not seek to merely copy what I see, but to capture the atmosphere, the silence, and the hidden emotions within a place. Each brushstroke is an act of contemplation, a quiet dialogue between memory and canvas.
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Today, as I continue my journey in Korea, I paint not only landscapes, but also the trace of a life lived across borders, cultures, and time. My work is an invitation to slow down, to breathe, and to rediscover the calm beauty that still lives within the world — and within ourselves.
My Exhibitions
Below is a selection of exhibitions I have participated in, including both solo and group shows.

Solo Exhibition, Bellevue Hotel, Bern Switzerland, 2019

Solo Exhibition, Indonesian Embassy Seoul, 2024

Yongsan Fine Art Association Exhibition, Seoul, 2024

Solo Exhibition, East Atelier Gallery, Seoul, 2024

DIMO Art Space 4, Home Gallery, 2024

The Gala, Unknown Vibes, Andaz Gangnam, Seoul, 2025. Posed with the collector who purchased that piece of tiger painting.
Notable Moments
Beyond exhibitions and galleries, my artistic journey in Korea has also been shaped by meaningful cultural encounters. These moments, formed through respect, shared history, and a mutual appreciation for art, continue to remind me that creativity has the power to connect people across different worlds.

During my solo exhibition in Seoul in 2024, I was honored by an unexpected and warm visit from the Swiss Ambassador to Korea, who stopped by to extend her congratulations personally.​

I also had the honor of welcoming the Deputy Ambassador of the Indonesian Embassy in Seoul. In the photo: myself (right, the Deputy Ambassador (center), and the owner of East Atelier Gallery (left).

A meaningful moment with Korean singer Tae Jin Ah. We first met during an official cultural activity when I was serving at the Indonesian Embassy in Seoul. Years later, after my retirement, I visited him at his office to personally invite him to my solo exhibition. Although he was unable to attend, he kindly accepted my exhibition catalog and allowed this photograph to be shared. A quiet reminder that art and cultural bonds continue beyond diplomacy.
Photo shared with kind permission.